Relatable Character Building

I can't tell you the times I have picked up a book, read a chapter, closed it and never opened it again. Maybe it was boring, maybe the topic was one I had no interest in, or maybe the characters weren't at all relatable. Edward Cullen. Love him or hate him, he was perfect in nearly every way. He was polite, handsome, protective of the woman he loved, and all around the perfect boyfriend. But can modern day men relate to him? I seriously doubt it since the majority of Twilight readers are female. Men don't read the books and think, "Man, I know what he's talking about. Been there, done that." They more likely think, "I can't believe Stephenie Meyer wrote this and now I have to live up to this impossible standard!" But in all honesty they're thinking, "When's dinner?"

When developing characters, we have to remember to make them human, if they are human, and give them flaws. They have to feel insecure about themselves sometimes because no one feels on top all the time, except sociopaths. This is especially prevalent in YA literature. Teenagers experiencing anxiety and depression are at an all time high, so naturally when writing about them, we need to reflect the pressures they feel to look and act a certain way. No one is immune to peer pressure and bullying. Not even your characters.

While writing my NaNo novel for 2009, I had to keep reminding myself to keep my main character real. She had to feel pain and regret. She had to look in the mirror in the morning and not love the way she looked, but accepted it anyway. I kept subconsciously wanting to make her this perfect specimen of a female teenager. Completely uncaring of what people think of her, beautiful, a social butterfly without having to try, in other words...boring! Because if your characters start out without any problems, where do they go from there? A character should grow in some way. Maybe, they start out super confident and something bad happens and they lose their confidence, but then I guess it was a facade all along anyway. Give them flaws. Give them moles and freckles, give them an annoying laugh, make them just a little bit pudgy, Size 12 Is Not Fat, anyone? Its okay to accept the imperfect in your characters. Because that is what I want to read about. People like me.

Study people around you. Notice how they act in front of people. Then  watch them when they're alone. You might find some discrepancies. There's a story there. Story telling is all about characters. Without characters, there is no story. But with characters, there is always a story, if you unclench and let your characters show their true sides.

I know there are exceptions to this. But most of the time, I want to read about somebody I could meet in a grocery store or at school. Just a thought.